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5. Thematic Bibliography - W. Wootton, B. Russell, E. Libonati

 This essay and the others published on this website are intended to be read alongside and to complementthe collection of images on the Art of Making in Antiquity website.

A downloadable PDF version of this essay (version 1.0) is available here. To cite this esssay please refer to this PDF version.

 

Tools, toolmarks and technique:

Adam, S. (1966). The technique of Greek sculpture in the Archaic and Classical period (Supplementary volume (British School at Athens) 3). Oxford.

Bernhard, F. (ed.) (1996). Der Steinmetz und Steinbildhauer: Ausbildung und Praxis. Munich.

Berufsbildungswerk des Steinmetz- und Bildhauerhandwerks (ed.) (1985). Überbetriebliche Ausbildung im Steinmetz- und Steinbildhauerhandwerk. Ulm.

Bessac, J.-C. (1986). L'outillage traditionnel du tailleur de pierre, de l'Antiquité à nos jours. (Revue archéologique de Narbonnaise, supplément 14). Paris.

Bessac, J.-C. (1988). 'Problems of identification and interpretation of tool marks on ancient marbles and decorative stones', in N. Herz and M. Waelkens (eds). Classical marble: geochemistry, technology, trade. (NATO ASI series, series E, applied sciences 153). Dordrecht: 41–53.

Bessac, J.-C. (1993). 'Traces d’outil sus la pierre: problématique, methods d’études et interpretation', in R. Francovich (ed.). Archeologia delle attività estrattive e metallurgiche: V ciclo di lezioni sulla ricerca applicata in archeologia, Certosa di Pontigliano (SI), Campiglia Marittima (LI), 9-21 Settembre 1991 (Quaderni del Dipartimento di archeologia e storia delle arti, Sezione archeologica, Università di Siena 32-33). Florence: 143–76.

Bessac, J.-C. (2008). Le travail de la pierre à Pétra: technique et économie de la taille rupestre. Paris.

Blagg, T. F. C. (1976). 'Tools and techniques of the Roman stone-mason in Britain', Britannia 7: 152–72.

Blümel, C. (1927). Griechische Bildhauerarbeit. Berlin.

Blümel, C. (1955). Greek sculptors at work. London.

Blümner, H. (1912). Technologie und Terminologie der Gewerbe und Künste bei Griechen und Römern. 2nd edition. Leipzig.

Boschung, D. and Pfanner, M. (1988). 'Antike Bildhauertechnik. Vier Untersuchungen an Beispielen in der Münchner Glyptothek', Münchner Jahrbuch der bildenden Kunst, Series 3, 39: 7–28.

Boschung, D. and Pfanner, M. (1990). 'Les methods de travail des sculpteurs antiques et leur signification dans l’histoire de la culture', in M. Waelkens (ed.). Pierre éternelle du Nil au Rhin: carrières et prefabrication. Brussels: 127–42.

Bruto, M. L. and Vannicola, C. (1990). 'Strumenti e tecniche di lavorazione dei marmi antichi', Archeologia classica 42: 287–324.

Casson, S. (1933). The technique of early Greek sculpture. Oxford.

Champion, B. (1916). 'Outils en fer du Musée de Saint-Germain', Revue archéologique 3: 211–46.

Claridge, A. (1985). 'Sulla lavorazione dei marmi bianchi nella scultura dell’età romana', in P. Pensabene (ed.). Marmi antichi: problemi d’impiego, di restauro e d’identificazione (=Studi miscellanei 26). Rome: 113–25.

Claridge, A. (1988). 'Roman statuary and the supply of statuary marble', in J. C. Fant (ed.). Ancient marble quarrying and trade (BAR international series 453).Oxford: 139–52.

Claridge, A. (1990). 'Ancient techniques of marking joins in marble statuary', in M. True and J. Podany (ed.). Marble: art historical and scientific perspectives on ancient sculpture. Malibu, CA: 135–62.

Colledge, M. A. R. (1976). The art of Palmyra (Studies in ancient art and archaeology). London.

De Chaisemartin, N. (1999). 'Technical aspects of the sculptural decoration at Aphrodisias in Caria', in M. Schvoerer (ed.). Archéomatériaux: marbres et autres roches. ASMOSIA IV, Bordeaux-Talence, 9-13 octobre 1995: actes de la IVème Conférence internationale de l'Association pour l'étude des marbres et autres roches utilisés dans le passé. Talence: 261–7.

Fischer. L. (2009). ‘Sculpture in Roman Palestine: import and local production. An overview’, in V.  Gaggadis-Robin (ed.). Les ateliers de sculpture régionaux: techniques, styles, et iconographie: actes du Xe Colloque international sur l'art provincial romain, Arles et Aix-en-Provence, 21-23 mai 2007. Aix-en-Provance; Arles: 401–15.

Friedland, E. A. (2012). ‘Marble sculpture in the Roman Near East: remarks on import, production, and impact’, in T. M. Kristensen and B. Poulsen (eds). Ateliers and artisans in Roman art and archaeology (Journal of Roman Archaeology, supplementary series 92). Portsmouth RI: 55–73.

Gardner, E. A. (1890). 'The processes of Greek sculpture as shown by some unfinished statues in Athens', Journal of Hellenic Studies 11: 129–42.

Hannestad, N. (2012). ‘Mythological marble sculpture of late antiquity and the question of workshops’, in T. M. Kristensen and B. Poulsen (eds). Ateliers and artisans in Roman art and archaeology (Journal of Roman Archaeology, supplementary series 92). Portsmouth RI: 75–112.

Heilmeyer, W.-D. (2000). 'Kunst und Material', in A. H. Borbein, T. Hölscher and P. Zanker (eds). Klassische Archäologie: eine Einführung. Berlin: 129–46.  

Henig, M. (2012). ‘Workshops, artists and patrons in Roman Britain’, in T. M. Kristensen and B. Poulsen (eds). Ateliers and artisans in Roman art and archaeology (Journal of Roman Archaeology, supplementary series 92). Portsmouth RI: 113–28.

Hodges, H. (1964). Artifacts: an introduction to early materials and technology. London.

Jockey, P. (1998). 'La sculpture de la pierre dans l'antiquité: de l'outillage au processus', in M.-C. Amouretti and G. Comet (eds). Artisanat et matériaux: la place des matériaux dans l'histoire des techniques (Cahier d'histoire des techniques 4). Aix-en-Provence: 153–78.

Jockey, P. (2001). 'L'artisanat de la sculpture antique: une conquête historiographique?' in J.-P. Brun and P. Jockey (eds). Τ?χναι: techniques et sociétés en méditerranée. Paris: 347–65.

Kessener, H. P. M. (2012). ‘The mechanization of marble slab production’, in R. Kreiner and W. Letzner (eds). Spa: sanitas per aquam: Tagungsband des Internationalen Frontinus-Symposiums zur Technik- und Kulturgeschichte der antiken Thermen, Aachen, 18.-22. März 2009 = Proceedings of the International Frontinus-Symposium on the Technical and Cultural History of Ancient Baths, Aachen, March 18-22, 2009 (Bulletin antieke beschaving, supplement 21). Leuven; Walpole MA: 197–205.

Ko?elj, T. (1985). 'An example of cutting marble using a handpick and chisel', in P. Pensabene (ed.). Marmi antichi: problemi d’impiego, di restauro e d’identificazione (=Studi miscellanei 26). Rome: 127–34.

Krauth, T. and Meyer, F. S. (1896). Die Bau- und Kunstarbeiten des Steinhauers. Leipzig.

Lambraki, A. (1982). 'L'emploi de la scie lisse en tant qu'outil de carrier, en Grèce, à l'époque paléochrétienne', in Troisièmes journées de l'industrie minérale: le marbre. Château de Namur (Citadelle)-16, 17 et 18 novembre 1981 (=Bulletin des Musées Royaux d’Art et d’Histoire, Bruxelles, 53.2). Brussels: 81–8.

Ling, R. (ed.) (2000). Making classical art: process and practice. Stroud.

Netz, J. (1984). Der Steinmetz: Fachbuch für Ausbildung und Praxis. Munich.

 

Nolte, S. (2006). Steinbruch - Werkstatt - Skulptur: Untersuchungen zu Aufbau und Organisation griechischer Bildhauerwerkstätte (Göttinger Forum für Altertumswissenschaft 18). Göttingen.

 

Nylander, C. (1990). 'Considerations sur le travail de la pierre dans la culture Perse', in M. Waelkens (ed.). Pierre éternelle du Nil au Rhin: carrières et prefabrication. Brussels: 73–86. 

 

Nylander, C. (1991). 'The toothed chisel', Archeologia classica 43: 1037–52.

Opderbrecke, A. and Wittenbecher, H. (1912). Der Steinmetz (Das Handbuch des Bautechnikers: eine übersichtliche Zusammenfassung der an Baugewerkschulen gepflegten technischen Lehrfächer, 15). Leipzig.

Ortolani, G. (1989). 'Lavorazione di pietre e marmi nel mondo antico', in G. Borghini (ed.). Marmi Antichi (Materiali della cultura artistica 1). Rome: 19–42.

 

Palagia, O. (2003). ‘Did the Greeks use a pointing machine?’, Bulletin archéologique du CTHS: Antiquité, Archéologie classique 30: 55–64.

 

Palagia, O. (2006). ‘Marble carving techniques’, in O. Palagia (ed.). Greek sculpture: function, materials, and techniques in the archaic and classical periods. Cambridge: 243–79. 

Petrie, W. M. (1917). Tools and weapons illustrated by the Egyptian collection in University College, London. (British School of Archaeology in Egypt and Egyptian Research Account, 22nd year, 1916). London.

Rich, J. C. (1974). The materials and methods of sculpture. New York.

Ritti, T., Grewe. K., and Kessener, P. (2007). 'A relief of a water-powered stone saw mill on a sarcophagus at Hierapolis and its implications', Journal of Roman Archaeology 20.1: 138–63.

Rockwell, P. (1989). Lavorare la pietra: manuale per l'archeologo, lo storico d'arte e il restauratore (Beni culturali 7). Rome.

Rockwell, P. (1990). 'Stone-carving tools: a stone-carver’s view', Journal of Roman Archaeology 3: 351–7.

Rockwell, P. (1993a). The art of stoneworking: a reference guide. Cambridge.

Rockwell, P. (1993b). 'Tools in ancient marble sculpture', in R. Francovich (ed.). Archeologia delle attività estrattive e metallurgiche: V ciclo di lezioni sulla ricerca applicata in archeologia, Certosa di Pontignano (SI), Campiglia Marittima (LI), 9-21 settembre 1991 (Quaderni del Dipartimento di archeologia e storia delle arti, Sezione archeologica, Università di Siena 32-33). Florence: 177–96.

Schwander, E.-L. (1991). 'Der Schnitt im Stein. Beobachtungen zum gebrauch der Steinsäge in der Antike', in A. Hoffmann, E.-L. Schwander, W. Hoepfner, and G. Brands (eds). Bautechnik der Antike: internationales Kolloquium in Berlin vom 15.-17. Februar 1990 (Diskussionen zur archäologischen Bauforschung 5). Mainz: 216–23.

Seigne, J. (2002). 'A sixth-century water-powered sawmill at Jerash', Annual of the Department of Antiquities of Jordan 26: 205–13.

Sodini, J. O. (2002). 'Marble and stone-working in Byzantium, seventh-fifteenth centuries', in A. E. Laiou (ed.). The economic history of Byzatium: from the seventh through the fifteenth century (Dumbarton Oaks studies 39). Washington DC: 129–46.

Stewart, P.  (2008). The social history of Roman art. Cambridge.

Stocks, D. A. 2003. Experiments in Egyptian archaeology: stoneworking technology in ancient Egypt. London: Routledge.

Touchette, L.-A. (2000). ‘The mechanics of Roman copy production?’, in G. R. Tsetskhladze, A. J. N. W. Prag, and A. M. Snodgrass (eds). Periplous: papers on classical art and archaeology presented to Sir John Boardman. London: 344–52.

Varène, P. (1975). Sur la taille de la pierre antique, médiévale et modern (Centre de recherches sur les techniques gréco-romaines 3). 2nd edition. Dijon.

Wilcke, H. and Thunig, W. (1981). Gewinnen, Bearbeiten und Versetzen von Werkstein. 3rd edition. Berlin.

Wootton, W. and Russell, B. (forthcoming). ‘Presenting and interpreting the processes of stone carving: The Art of Making in Antiquity project’, in P. Pensabene and E. Gasparini (eds). ASMOSIA X. Association for the Study of Marble & Other Stones In Antiquity, 21-26 May 2012.??

 

Architectural carving:

Adam, J. P. (1989). La construction romaine: matériaux et techniques. 2nd edition. Paris.

Adam, J.-P. (1999). Roman building: materials and techniques. London.

Asgari, N. (1988). 'The stages of workmanship of the Corinthian capital in Proconnesus and its export form', in N. Herz and M. Waelkens (eds). Classical marble: geochemistry, technology, trade (NATO ASI series, series E, applied sciences 153). Dordrecht: 115–25.

Asgari, N. (1989). 'Zwei Werkstücke für Konstantinopel aus den prokonnesischen Steinbrüchen', Istanbuler Mitteilungen 39: 49–63.

Asgari, N. (1990). 'Objets de marbre finis, semi-finis et inachevés du Proconnèse', in M. Waelkens (ed.). Pierre éternelle du Nil au Rhin: carrières et prefabrication. Brussels: 106–26.

Asgari, N. (1992). 'Obsevations on two types of quarry-items from Proconnesus: column-shafts and column-bases', in M. Waelkens, N. Herz, and L. Moens (eds). Ancient stones: quarrying, trade and provenance. Interdisciplinary studies of stones and stone technology in Europe and Near East from the prehistoric to the early Christian period (Acta archaeologica Lovaniensia monographiae 4). Leuven: 73–80.

Barresi, P. (2002). 'Il ruolo delle colonne nel costo degli edifici pubblici', in M. De Nuccio and L. Ungara (eds). I marmi colorati della Roma imperiale. Padua: 69–82.

Barresi, P. (2003). Province dell'Asia Minore: costo dei marmi, architettura pubblica e committenza (Studia archaeologica 125). Rome.

Betsch, W. (1977). The history, production and distribution of the late antique capital in Constantinople. Ph. D. Thesis, University of Pennsylvania.                

Burford, A. (1969). The Greek temple builders at Epidauros: a social and economic study of building in the Asklepian sanctuary, during the fourth and early third centuries BC. Liverpool.

Dolci, E. (1995). 'Due capitelli semilavorati da una cava lunense', Quaderni (Capital Centro Studi Lunensi), new series 1: 127–36.

Dolci, E. (2006). Museo del Marmo, Carrara: catalogo-guida. Pontedera.

Erasmus, C. J. (1965). 'Monument building: some field experiments', Southwestern Journal of Anthropology 21.4: 277–301.

McKenzie, J. S. (2010). 'Carving Petra (and Hegra)', Journal of Roman Archaeology 23.2: 751–9.

Orlandos, A. K. (1966-8). Les matériaux de construction et la technique architecturale des anciens Grecs (Travaux et mémoires 16). 2 vols. Paris.

Pagello, E. (1992). 'Un capitello non finito da Leptis Magna', Quaderni Archeologia della Libia 15: 235–52.

Pensabene, P. (1992). 'The method used for dressing the columns of the Colosseum portico', in by M. Waelkens, N. Herz, and L. Moens (eds). Ancient stones: quarrying, trade and provenance. Interdisciplinary studies of stones and stone technology in Europe and Near East from the prehistoric to the early Christian period (Acta archaeologica Lovaniensia monographiae 4). Leuven: 81–9.

Pensabene, P. (1994). Le vie del marmo: i blocchi di cava di Roma e di Ostia, il fenomeno del marmo nella Roma antica (Itinerari ostiensi 7). Rome.

Pensabene, P. (1998). 'Le colonne sbozzate di cipollino nei distretti di Myloi e di Aetos (Karystos)', in P. Pensabene (ed.). Marmi antichi II: cave e technica di lavorazione, provenienze e distribuzione (=Studi miscellanei 31). Rome: 311–26.

Ponti, G. (2002). 'Techniche di estrazione e di lavorazione delle colonne monolitiche di granito troadense', in M. De Nuccio and L. Ungara (eds). I marmi colorati della Roma imperiale. Padua: 291–5.

Pralong, A. (2000). ‘La typologie des chapiteaux corinthiens tardifs en marble de Proconnèse et la production d’Alexandrie’, Revue archéologique:81–101.

Rockwell, P. (1987-8). 'Carving instructions on the Temple of Vespasian', Rendicoti della Pontificia Accademia romana di archeologia 60: 53–69.

Rohmann, J. (1998). Die Kapitellproduktion der römischen Kaiserzeit in Pergamon (Pergamenische Forschungen 10). Berlin.

Rosumek, P. (1982). Technischer Fortschritt und Rationalisierung im Antiken Bergbau (Habelts Dissertationsdrucke. Reihe Alte Geschichte 15). Bonn.

Tomasello, E. (1983). 'Un prototipo di capitello corinzio in Sabratha', Quaderni Archeologia della Libia 13: 87–103.

Vanhove, D. (1989). 'À propos d'un fût de colonne dans une carrière de Krio Nero près de Styra en Eubée', L’antiquité classique 58: 226–31.

Walker, S. (1979). 'Corinthian capitals with ringed voids: the work of Athenian craftsmen in the 2nd century AD', Archäologischer Anzeiger: 103–29.

Wilson Jones, M. (1989). 'Designing the Roman Corinthian order', Journal of Roman Archaeology 2: 35–69.

Wilson Jones, M. (1991). 'Designing the Roman Corinthian capital', Papers of the British School at Rome, 61: 89–150.

Wilson Jones, M. (2000). Principles of Roman architecture. New Haven CN. 

Wright, G. R. H. (2005). Ancient building technology. Volume 2: materials (Technology and change in history, volume 7/1). Leiden; Boston MA.

Zanini, E. (2007). 'Technology and ideas: architects and master-builders in the early Byzantine world', in L. Lavan, E. Zanini, and A. Sarantis (eds). Technology in transition, AD 300-650 (Late antique archaeology 4). Leiden; Boston MA: 381–405.

 

Sculptural carving:

Blanck, H. (1966). 'Zwei unfertige antike Arbeiten', Bonner Jahrbücher 166: 170–4.

Despinis, G. I. (2004). Zu Akrolithstatuen griechischer und römischer Zeit (=Nachrichten von der Akademie der Wissenschaften in Göttingen. Philologisch-Historische Klasse 8). Göttingen: 245-301.

Duthoy, F. (2012). Sculpteurs et commanditaires au IIe siècle après J.-C: Rome et Tivoli (Collection de l'École française de Rome 465). Rome.

Fant, J. C. (1990). 'New sculptural and architectural finds at Docimium', in VII. Ar??t?rma sonuçlar? toplant?s?. Antalya, 18-23 May?s 1989. Ankara: 111–18.

Frova, A. (1985-7). 'La produzione di scultura a Luni', in Studi Lunensi e prospettive sull'Occidente romano. Atti del Convegno, Lerici, Settembre 1985. (=Quaderni (Centro Studi Lunensi) 10-12). 3 vols. 2: 223–50.

Goodlett, V. C. (1991). ‘Rhodian sculpture workshop’, American Journal of Archaeology 95: 669–81.

Hollinshead, M. B. (2002). 'From two to three dimensions in unfinished Roman sculpture', in J. Herrmann, N. Herz and R. Newman (eds). ASMOSIA 5: interdisciplinary studies on ancient stone. Proceedings of the Fifth International Conference of the Association for the Study of Marble and Other Stones in Antiquity, Museum of Fine Arts, Boston, 1998 (ASMOSIA 5). London: 225–30.

Karageorghis, V. (1969). 'Chronique des fouilles à Chypre en 1968', Bulletin de correspondance hellénique 93: 431–569.

Lapatin, K. D. S. (2001). Chryselephantine statuary in the ancient Mediterranean world (Oxford monographs on classical archaeology). Oxford.

Mayer, M. (2000). 'Manufacturados escultóricos de Chemtou en Hispania', in M. Khanoussi, P. Ruggeri, and C. Vismara (eds). L'Africa Romana: atti del XIII Convegno di studio Djerba, 10-13 dicembre 1998 (Convegno di studio su "L'Africa romana" 13; Pubblicazioni del Dipartimento di storia dell'Università di Sassari 6). Vol. 2: 1245–50.

Penny, N. (1993). The materials of sculpture (New Haven CT; London).

Pfanner, M. (1989). 'Über das Herstellen von Porträts. Ein Beitrag zu Rationalisierungsmassnahmen und Produktionsmechanismen von Massenware im späten Hellenismus und in der Römischen Kaiserzeit', Jahrbuch des Deutschen Archäologischen Instituts 104: 157–257.

Richter, G. (1962). 'How were the Roman copies of Greek portraits made?', Römische Mitteilungen 69: 52–8.

Rockwell, P. (1981-3). 'Preliminary study of the carving techniques on the column of Trajan', in P. Pensabene (ed.). Marmi antichi: problemi d'impiego, di restauro e d'identificazione (=Studi miscellanei 26). Rome: 101–11.

Rockwell, P. (1990). 'Finish and unfinish in the carving of the Sebasteion', in C. Roueché and K. Erim (eds). Aphrodisias papers I: recent work on architecture and sculpture including the papers given at the Second International Aphrodisias Colloquium held at King's College London on 14 November 1987(Journal of Roman Archaeology, supplementary series 1). Ann Arbor MI: 101–18.

Röder, J. (1960). 'Die Reiter von Breitfurt. Technische Betrachtungen', in K. Schultz (ed.). Pfälzisches Museum Festschrift: des Historischen Museums der Pfalz in Speyer zum 50 jährigen bestehen seines Neubaues (Mitteilungen des Historischen Vereins der Pfalz 58). Speyer: 96–109. 

Skupi?ska-Løvset, I. (2009). ‘Workshops of northern Palestine: use of toothed tools in local workshops in relation to the question of sculptural techniques and choice of materials’, in V. Gaggadis-Robin, A. Hermary, M. Reddé, and C. Sintes (eds). Les ateliers de sculpture régionaux: techniques, styles et iconographie. Actes du Xe Colloque international sur l’Art Provincial Romain, Arles et Aix-en-Provence, 21-23 Mai 2007. Arles and Aix-en-Provence: 417–24.

Strong, D. and Claridge, A. (1976). 'Marble sculpture', in D. Strong and D. Brown (eds). Roman crafts. London: 195–207.

Strong, D. and Brown, D. (eds). (1976). Roman crafts. London.

Trimble, J. (2000). 'Replicating the body politic: the Herculaneum women statue types in Early Imperial Italy', Journal of Roman Archaeology 13: 41–68.

Trimble, J. (2011). Women and visual replication in Roman Imperial art and culture. Cambridge.

Van Voorhis, J. A. (1998). 'Apprentices’ pieces and the training of sculptors at Aphrodisias', Journal of Roman Archaeology 11: 175–92.

Zilczer, J. (1981). ‘The theory of direct carving in modern sculpture’, Oxford Art Journal, November: 44-9.

 

Sarcophagus carving:

Asgari, N. (1977). 'Die Halbfabrikate kleinasiatischer Girlandensarkophage und ihre Herkunft', Archäologischer Anzeiger: 329–80.

Birk, S. (2012). ‘Carving sarcophagi: Roman sculptural workshops and their organisation’, in T. M. Kristensen and B. Poulsen (eds). Ateliers and artisans in Roman art and archaeology (Journal of Roman Archaeology, supplementary series 92). Portsmouth RI: 13–37.

Eichner, K. (1981). 'Die Produktionsmethoden der stadtrömischen Sarkophagfabrik in der Blütezeit unter Konstantin', Jahrbuch für Antike und Christentum 24: 85–113.

Fant, J. C. (1985). 'Four unfinished sarcophagus lids at Docimium and the Roman imperial quarry system in Phrygia', American Journal of Archaeology 89.4: 655-62.

Gabelmann, H. (1973). Die Werkstattgruppen der oberitalischen Sarkophage (Beihefte der Bonner Jahrbücher 34). Bonn.

Gaggadis-Robin, V., Maniatis, Y., and Polykreti, K. (2009). 'Usage du marbre et techniques de fabrication des sarcophages d'Arles', in P. Jockey (ed.). Leukos lithos: marbres et autres roches de la Méditerranée antique: études interdisciplinaires: actes du VIIIe colloque international de l'Association for the study of marble and other stones used in antiquity (ASMOSIA) = interdisciplinary studies on Mediterranean ancient marble and stones: proceedings of the VIIth international conference of the association for the study of marble and other stones used in antiquity (ASMOSIA). Paris; Aix-en-Provence: 663–77.

Giuliano, A. and Palma, B. (1978). La maniera ateniese di età romana: i maestri dei sarcofagi attici (=Studi miscellanei 24). Rome.

Huskinson, J. (1998). ''Unfinished portrait heads' on later Roman sarcophagi: some new perspectives', Papers of the British School at Rome 66: 129–58.

I?ik, F. (1992). 'Zum Produktionsbeginn von Halbfabrikaten kleinasiatischer Girlandensarkophage', Archäologischer Anzeiger: 121–45. 

I?ik, F. (1998). 'Zu produktionsbeginn und Ende der kleinasiatischen Girlandensarkophage der Hauptgruppe', in G. Koch (ed.). Akten des Symposiums '125 Jahre Sarkophag-Corpus': Marburg, 4.-7. Oktober 1995 (Sarkophag-Studien 1). Mainz: 278–94. 

I?ik, F. (2007). Girlanden-Sarkophage aus Aphrodisias (Sarkophag-Studien 5). Mainz. 

Koch, G. (1993). Sarkophage der römischen Kaiserzeit. Darmstadt.

Koch, G. (2000). Frühchristliche Sarkophage (Handbuch der Archäologie.) Munich.

Koch, G. and Sichtermann, H. (1982). Römische Sarkophage (Handbuch der Archäologie). Munich.

Ko?elj, T., Lambraki, A., Muller A., and Sodini, J. O. (1985). 'Sarcophages découvertes dans les carriers de Saliari (Thasos)', in P. Pensabene (ed.). Marmi antichi: problemi d’impiego, di restauro e d’identificazione (=Studi miscellanei 26). Rome: 75–81.

Ko?elj, T. and Wurch-Ko?elj, M. (1999). 'Les traces d'extraction à Thasos de l'antiquité à nos jours', in C. Koukoule-Chrysanthake, A. Muller, and S. Papadopoulos (eds). Thasos: pr?tes hyles kai technologia apo tous proïstorikous chronous h?s s?mera: praktika diethnous synedriou, Limenaria Thasou, 26-29.9.1995 = Thasos: matières premières et technologie de la préhistoire à nos jours: actes du colloque international. Paris: 49–56.

Pensabene, P. (1981). 'Nota sullo stadio di lavorazione e la tipologia dei sarcophagi a ghirlande microasiatici esportati in occidente', Dialoghi di archeologia, new series 1, 3: 85–108.

Pfanner, M. (1978). 'Dogmatische Bedenken oder Rationalisierung? Zur Herstellungstechnik frühchristlicher Sarkophage', Hefte des archäologischen Seminars der Universität Bern 4: 30–3.

Russell, B. (2011). ‘The Roman sarcophagus ‘industry’: a reconsideration’, in J. Elsner and J. Huskinson (eds). Life, death and representation: some new work on Roman sarcophagi (Millennium-Studien 29). Berlin; New York NY: 119–47.

Vanhaverbeke, H. and Waelkens, M. (2002). 'The northwestern necropolis of Hierapolis (Phrygia): the chronological and topographical distribution of the travertine sarcophagi and their way of production', in D. de Bernardi Ferrero (ed.). Saggi in onore di Paolo Verzone (Hierapolis: scavi e ricerche 4;Archaeologica 137) Rome: 119–45.

Waelkens, M. (1988). 'Production patterns of sarcophagi in Phrygia', in N. Herz and M. Waelkens (eds). Classical marble: geochemistry, technology, trade (NATO ASI series, series E, applied sciences 153). Dordrecht: 139–43.

Walker, S. (1990). Catalogue of Roman sarcophagi in the British Museum (Corpus signorum imperii Romani. Great Britain II/2). London. 

Ward-Perkins, J. B. (1975-6). 'Workshops and clients: the Dionysiac sarcophagi in Baltimore', Atti della Pontificia Accademia romana di archeologia, Serie 3, rendiconti 48: 191–238.

Wiegartz, H. (1974). 'Marmorhandel, Sarkophagherstellung und die Lokalisierung der kleinasiatischen Säulensarkophage', in E. Akurgal and U. Bahadir Alkim (eds). Mansel’e arma?an / Mélanges Mansel  (Türk Tarih Kurumu series VII, 60). 3 volumes. Ankara 1: 345–83.

Wurch-Ko?elj, M. and Ko?elj, T. (1995). 'Roman quarries of apse-sarcophagi in Thassos of the second and third centuries', in Y. Maniatis, N. Herz, and Y. Basiakos (eds). The study of marble and other stones used in antiquity: association for the Study of Marble and Other Stones used in Antiquity. International Symposium (3rd: 1993: Athens, Greece).London: 39–47.

 

Quarrying (selection only):

Bessac, J.-C., Abdul-Massih, J., and Vallat, Z. (1997). 'De Doura-Europos à Aramel: enquête ethno-archéologique dans les carrières traditionnelles de Syrie', in P. Leriche and M. Gelin (eds). Doura-Europos: études IV, 1991-1993 (Bibliothèque archéologique et historique 149). Beirut: 159–97.                                                                                                                   

Bruno, M. (2002). 'Considerazioni sulle cave, sui metodi di estrazione, di lavorazione e sui transporti', in M. De Nuccio and L. Ungara (eds). I marmi colorati della Roma imperial. Venice: 179–93. 

Bülow-Jacobsen, A. (2009). Mons Claudianus. Ostraca graeca et latina IV: the quarry texts, O. Claud. 632-896 (Documents de fouilles de l'institut français d'archéologie orientale 47). Cairo.

Dolci, E. (1985-7). 'I marmi lunensi: tradizione, produzione, applicazioni', in Studi Lunensi e prospettive sull'Occidente romano. Atti del Convegno, Lerici, Settembre 1985. (=Quaderni (Centro Studi Lunensi) 10-12). 3 vols. 2: 405–63.

Fant, J. C. (2008). 'Quarrying and stoneworking', in J. P. Oleson (ed.). The Oxford handbook of engineering and technology in the classical world. Oxford: 121–35.                                                           

Forbes, R. J. (1963). Studies in ancient technology, vol. VII: ancient geology, mining and quarrying techniques. Leiden.

Herz, N. (1988). 'Classical marble quarries of Thasos', in G. A. Wagner and G. Weisgerber (eds). Antike Edel- und Buntmetallgewinnung auf Thasos (Der Anschnitt, Zeitshrift für Kunst und Kultur im Bergbau 6). Bochum: 232–40. 

Hirt, A. M. (2010). Imperial mines and quarries in the Roman world: organizational aspects, 27 BC–AD 235 (Oxford classical monographs). Oxford.

Korres, M. (2000). ‘Υπ?γεια λατομε?α της Π?ρου’, in D. Schilardi, S. Katsarou, D. Kats?nopoulou, and C. M. Brenner (eds). Παρ?α λ?θoς. Λατoμε?α, μ?ρμαρo και εργαστ?ρια γλυπτικ?ς της Π?ρoυ. Πρακτικ? A' Διεθνo?ς Συνεδρ?oυ Aρχαιoλoγ?ας Π?ρoυ και Kυκλ?δων, Παρoικ?α, Π?ρoς 2-5 Oκτωβρ?oυ 1997=Paria lithos: Parian quarries, marble and workshops of sculpture. Proceedings of the first international conference of the archaeology of Paros and the Cyclades, Paros, 2-5 October 1997 (Αρχαιολογικης και ιστορικης μελετες 1=Archaiologik?s kai historik?s meletes 1=Archaeological and historical studies 1). Athens: 61–82.

Peacock, D. and Maxfield, V. (1997). Survey and excavation - Mons Claudianus, 1987-1993. Volume I: topography & quarries (Fouilles de l'Institut Français d'Archéologie Orientale 37). Cairo.

Pearson, A. (2006). The work of giants. Stone and quarrying in Roman Britain. Stroud. 

Reade, J. (1990). 'Carrières et préfabrication dans le monde Neo-Assyrien', in M. Waelkens (ed.). Pierre éternelle du Nil au Rhin: carrières et prefabrication. Brussels: 45–52. 

Rüger, C. B. (1997). 'Zu Marmorschalen in Chemtou', Mitteilungen des Deutschen Archäologischen Instituts, Römische Abteilung 104: 379–85. 

Ruprechtsberger, E. M. (1999). Vom Steinbruch zum Jupitertempel von Heliopolis/Baalbek (Libanon) (Linzer archäologische Forschungen 30). Linz. 

Schmidt-Colinet, A. (1990). 'Considérations sur les carrières de Palmyre en Syrie', in M. Waelkens (ed.). Pierre éternelle du Nil au Rhin: carrières et prefabrication. Brussels: 87–92. 

Stanier, P. (2000). Stone quarry landscapes: the industrial archaeology of quarrying. Stroud.

Torelli, M. (1980). 'Industria estrattiva, lavoro artigianale, interessi economici: qualche appunto', in J. D’Arms and E. C. Kopff (eds). The seaborne commerce of ancient Rome: studies in archaeology and history (Memoirs of the American Academy in Rome 36). Rome: 313–23.

Waelkens, M., de Paepe, P., and Moens, L. (1986). 'Survey in the white marble quarries of Anatolia', Ara?t?rma Sonuçlar? Toplant?s? 4: 113–26.

Waelkens, M. (1990). 'Technique de carrière, préfaçonnage et ateliers dans les civilisation classiques (mondes grec et romain)', in M. Waelkens (ed.). Pierre éternelle du Nil au Rhin: carrières et prefabrication. Brussels: 53–73. 

Waelkens, M., de Paepe, P., and Moens, L. (1990). 'The quarrying techniques of the Greek world', in M. True and J. Podany (eds). Marble: art historical and scientific perspectives on ancient sculpture.  Malibu CA: 47–72. 

Ward-Perkins, J. B. (1971). ‘Quarrying in antiquity: technology, tradition and social change’, Proceedings of the British Academy 57: 137–58.

 

Architectural/sculptural manuals:

Allen, E. (1990). Fundamentals of building construction: materials and methods. 2nd edition. New York NY.

Barker, S. J., and Russell, B. (2012). ‘Labour figures for Roman stone-working: pitfalls and potential’, in S. Camporeale, H. Dessales, and A. Pizzo (eds). Arqueología de la Construcción III. Los procesos constructivos en el mundo romano: la economía de las obras (Anejos de Archivo Español de Arqueologa 64). Madrid; Merida: 83–94.

Booth, M. L. (1860). The marble-workers' manual designed for the use of the marble-workers, builders, and owners of houses. New York NY. 

Claudel, J. and Laroque, L. (1863). Pratique de l'art de construire. 3rd edition. Paris. 

D’Elia, P. (1976). Le pietre naturali nelle costruzioni edilizie (Quaderni di studio (Università di Napoli. Istituto di architettura tecnica) 1). Naples. 

Lambertie, R.-M. (1962). L'industrie de la pierre et du marbre. Paris.

Lee, A. (1888). Marble and marble workers: a handbook for architects, artists, masons, and students. London.

Martin, R. (1965). Manuel d'architecture grecque: matériaux et techniques (Collection des manuels d'archéologie et d'histoire de l'art). Paris.

Morisot, J. M. (1820-4). Tableaux détaillés des prix de tous les ouvrages de bâtiment, divisés suivant les différentes espèces de travaux et suivis d’un traité particulier pour chaque espèce, sur la manière de toiser ou mesurer les ouvrages, à l’usage des architectes, ingénieurs, vérificateurs, toiseurs et entrepreneurs de bâtimens, des propriétaires de maisons, et de tous ceux qui veulent faire bâtir. 2nd edition. 6 vols. Paris. 

Pegoretti, G. (1863-4). Manuale pratico per l'estimazione dei lavori architettonici, stradali, idraulici e di fortificazione per uso degli ingegneri ed architetti. 2nd edition. 2 vols. Milan. 

Ponza di San Martino, L. (1841). Prontuario di stima ad uso degli Ingegneri e degli architetti nella direzione de' lavori pubblici. Turin.

Purchase, W. R. (1903). Practical masonry: a guide to the art of stone cutting comprising the construction, setting-out, and working of stairs, circular work, arches, niches, domes, pendentives, vaults, tracery windows, etc., to which are added supplements relating to masonry estimating and quantity surveying and to building stones and a glossary of terms for the use of students, masons, and other workmen. 4th edition. London.

Renwick, W. G. (1909). Marble and marble working: a handbook for architects, sculptors, marble quarry owners and workers, and all Engaged in the building and decorative industries. New York NY. 

Ricci, A. (1895). Manuale del marmista. 2nd edition. Milan.

Rondelet, J.-B. (1867). Traité théorique et pratique de l'art de bâtir. 3rd edition. 5 vols. Paris. 

Salmojraghi, F. (1882). Sui materiali naturali per costruzioni e decorazioni edilizie. Milan.

Salmojraghi, F. (1892). Materiali naturali da costruzione: caratteri litologici, requisiti costruttivi, impieghi, estrazione, lavorazione, distribuzione in Italia. Milan.

Warland, E. G. (1953). Modern practical masonry. 2nd edition. London.

 

Workshops:

Bejor, G. (2011). 'Produzioni e scuole: uno sguardo alla questione', in F. D'Andria and I. Romeo (eds). Roman sculpture in Asia Minor: proceedings of the international conference to celebrate the 50th anniversary of the Italian excavations at Hierapolis in Phrygia, held on May 24-26, 2007, in Cavallino (Lecce) (Journal of Roman Archaeology, supplementary series 80). Portsmouth RI: 30–6. 

Bianchi, F., Bruno, M., Gorgoni, C., Pallante P., and Ponti, G. (2009). 'The pilasters of the Severan Basilica at Leptis Magna and the school of Aphrodisias: new archaeometric and archaeological data', in P. Jockey (ed.). Leukos lithos: marbres et autres roches de la Méditerranée antique: études interdisciplinaires: actes du VIIIe colloque international de l'Association for the study of marble and other stones used in antiquity (ASMOSIA) = interdisciplinary studies on Mediterranean ancient marble and stones: proceedings of the VIIth international conference of the association for the study of marble and other stones used in antiquity (ASMOSIA). Paris; Aix-en-Provence: 239–49.

Blagg, T. F. C. (1977). 'Schools of stonemasons in Roman Britain', in J. Munby and M. Henig (eds). Roman life and art in Britain: a celebration in honour of the eightieth birthday of Jocelyn Toynbee (British archaeological reports 41). 2 vols. Oxford 1: 51–73.

Favaretto, I. (1967-75). 'Sculture non finite e botteghe di scultura ad Aquileia', in Venetia: studi miscellanei di archeologia delle Venezie (Pubblicazioni dell’Istituto di archeologia dell’Università di Padova 3, 6, 9). 3 vols. Padova 2: 127–231.

Ferchiou, N. (1983). 'Un atelier itinérant de marbriers le long des côtes de Proconsulaire', Antiquités africaines 19: 75–84.

Goodlett, V. C. (1991). 'Rhodian sculpture workshops', American Journal of Archaeology 95: 669–81. 

Harvey, A. St. C. (2008). ‘Carving in the center: evidence for an urban workshop on the Palatine Hill in Rome’, in G. Bühl, A. Cutler, and A. Effenberger (eds). Spätantike und byzantinische Elfenbeinbildwerke im Diskurs (Spätantike, frühes Christentum, Byzanz. Reihe B, Studien und Perspektiven 24). Wiesbaden: 249–70. 

Heilmeyer, W.-D. (1986). 'Antike Kunst und Kunstproduktion-Werkstattforschung in der klassischen Archäologie', Jahrbuch preußischer Kulturbesitz 23: 95–124. 

Heilmeyer, W.-D. (2004). 'Ancient workshops and ancient 'art'', Oxford journal of archaeology 23.4: 403–15. 

Jockey, P. (1995). 'Unfinished sculpture and its workshops on Delos in the Hellenistic period', in Y. Maniatis, N. Herz, and Y. Basiakos (eds). The study of marble and other stones used in antiquity: association for the Study of Marble and Other Stones used in Antiquity. International Symposium (3rd: 1993: Athens, Greece).London: 87–93.

Pensabene, P. (2011). 'Su alcuni aspetti produttivi delle 'scuole' di scultura di Docimio, Afrodisia e Nicomedia', in F. D'Andria and I. Romeo (eds). Roman sculpture in Asia Minor: proceedings of the international conference to celebrate the 50th anniversary of the Italian excavations at Hierapolis in Phrygia, held on May 24-26, 2007, in Cavallino (Lecce) (Journal of Roman Archaeology, supplementary series 80). Portsmouth RI: 37–61.

Phillips, E. J. (1976). 'A workshop of Roman sculptors at Carlisle', Britannia 7: 101–8.

Rockwell, P. (1991). 'Unfinished statuary associated with a sculptor’s studio', in R. R. R. Smith and K. Erim (eds). Aphrodisias papers 2: the theatre, a sculptor's workshop, philosophers and coin-types: including the papers given at the Third International Aphrodisias Colloquium held at New York University on 7 and 8 April 1989 (Journal of Roman Archaeology, supplementary series 2). Ann Arbor MI: 127–42.

Rockwell, P. (2008). 'The Sculptor's studio at Aphrodisias: the working methods and varieties of sculpture produced', in by Y. Z. Eliav, E. A. Friedland, and S. Herbert (eds). The sculptural environment of the Roman Near East: reflections on culture, ideology, and power (Interdisciplinary studies in ancient culture and religion 9) Leuven: 91–115. 

Smith, R. R. R. (2011). 'Marble workshops at Aphrodisias', in F. D'Andria and I. Romeo (eds). Roman sculpture in Asia Minor: proceedings of the international conference to celebrate the 50th anniversary of the Italian excavations at Hierapolis in Phrygia, held on May 24-26, 2007, in Cavallino (Lecce) (Journal of Roman Archaeology, supplementary series 80). Portsmouth RI: 62–76.

Squarciapino, M. (1943). La scuola di Afrodisia (Studi e materiali del Museo dell'Impero romano 3). Rome.

Squarciapino, M. (1983). 'La scuola di Afrodisias (40 anni dopo)', Archeologia classica 35: 74–87.

Waelkens, M. (1979). 'Ateliers lapidaries en Phrygie', in D. M. Pippidi (ed.). Actes du VIIe Congrès international d'épigraphie grecque et latine, Constantza, 9-15 septembre 1977. Bucharest: 105–28.

Wilson, A. I. (2008). 'Large-scale manufacturing, standardization, and trade', in J. P. Oleson (ed.). The Oxford handbook of engineering and technology in the classical world. Oxford: 393–417.

 

Craftsmen and artists:

Blagg, T. F. C. (1987). 'Society and the artist', in J. Wacher (ed.). The Roman world. 2 vols. London; New York NY 2:717–46.

Burford, A. (1972). Craftsmen in Greek and Roman society. London.

Calabi Limentani, I. (1958). Studi sulla società romana: il lavoro artistico (Biblioteca storica universitaria serie 2, 9). Milan.

Coldstream, N. (1991). Masons and sculptors (Medieval craftsmen). London.

Conlin, D. A. (1997). The artists of the Ara Pacis: the process of Hellenization in Roman relief sculpture. Chapel Hill NC.

Cornell, T. J. (1987). 'Artists and patrons', in T. Cornell, M. Crawford, and J. North (eds). Art and production in the world of the Caesars. Milan: 17–35. 

Duthoy-Frel, F. (1993). 'Modèles et sculpteurs à l’époque romaine: deux exemples', Xenia antiqua 2: 87–94. 

Klapish-Zuber, G. (1969). Les maîtres du marbre: Carrare, 1300-1600 (École pratique des hautes études - 6e section, centre de recherches historiques: ports, routes, traffics 25). Paris.

Kleiner, F. S. (1977). 'Artists in the Roman world. An itinerant workshop in Augustan Gaul', Mélanges de l’École française de Rome. Antiquité 89.2: 661–96.

Knoop, D. and Jones, G. P. (1967). The mediaeval mason: an economic history of English stone building in the later Middle Ages and early modern times. 3rd edition. Manchester.

Mossé, C. (1969). The ancient world at work (Ancient culture and society). London.

Roueché, C. and Erim, K. (1982). 'Sculptors from Aphrodisias: some new inscriptions', Papers of the British School at Rome 50: 102–15.

Toynbee, J. M. C. (1949). 'Some notes on artists in the Roman world', Latomus 8: 307–16.

Toynbee, J. M. C. (1951). Some notes on artists in the Roman world (Collection Latomus 6). Brussels.

 

Images of carving:

Adam, J.-P. and Varène, P. (1980). 'Une peinture romaine représentant une scène de chantier', Revue archéologique 2: 213–38.

Bouras, C. (2009). 'La circulation des pierres et le port d'Éphèse', in P. Jockey (ed.). Leukos lithos: marbres et autres roches de la Méditerranée antique: études interdisciplinaires: actes du VIIIe colloque international de l'Association for the study of marble and other stones used in antiquity (ASMOSIA) = interdisciplinary studies on Mediterranean ancient marble and stones: proceedings of the VIIth international conference of the association for the study of marble and other stones used in antiquity (ASMOSIA). Paris; Aix-en-Provence: 495–501.

Starac, A. (2007). ‘A marble slab with relief of a stonemason’, Marmora 3: 135–6.

Zimmer, G. (1982). Römische Berufsdarstellungen (Archäologische Forschungen 12). Berlin.

 

Stone trade/industry (selection only):

Barker, S. J. (2012). ‘Roman marble salvaging’, in A. Gutiérrez, P. Lapuente, P., and I. Rodà (eds). Interdisciplinary studies on ancient stone. ASMOSIA IX (Documenta 23). Tarragona: 22–30.

Behn, F. (1926). Steinindustrie des Altertums (Kulturgeschichtliche Wegweiser durch das Römisch-Germanische Central-Museum 10). Mainz.

Dodge, H. and Ward-Perkins, B. (eds) (1992). Marble in antiquity: the collected papers of J. B. Ward-Perkins. (Archaeological monographs of the British School at Rome 6). London.

Dolci, E. (1989). 'Il marmo nel mondo romano: note sulla produzione e il commercio', in E. Dolci (ed.).Il marmo nella civiltà romana: la produzione e il commercio: mostra/seminario, Museo del Marmo, Carrara, maggio-giugno 1989: atti del seminario. Carrara: 11–53. 

Hirt, A. M. (2010). Imperial mines and quarries in the Roman world: organizational aspects, 27 BC–AD 235 (Oxford classical monographs). Oxford.

Lazzarini, L. (2004). ‘La diffusione e il riuso dei piú importanti marmi romani nelle province imperiali’, in L. Lazzarini (ed.). Pietre e marmi antichi. Natura, caratterizzazione, origine, storia d'uso, diffusione, collezionismo. Padua: 101–22.

Pensabene, P. (1983). 'Osservazioni sulla diffusione dei marmi e sul loro prezzo nella Roma imperiale', Dialoghi di archeologia, 3rd series, 1: 55–63.

Russell, B. (2011). ‘Lapis transmarinus: stone-carrying ships and the maritime distribution of stone in the Roman Empire’, in Maritime archaeology and ancient trade in the Mediterranean (Oxford Centre for Maritime Archaeology 6). Oxford: 139–55.

Russell, B. (2013). ‘Roman and Late Antique shipwrecks with stone cargoes: a new inventory’, Journal of Roman Archaeology 26.

Russell, B. (in press). The economics of the Roman stone trade (Oxford studies on the Roman economy) Oxford.

Ward-Perkins, J. B. (1980). 'Nicomedia and the marble trade', Papers of the British School at Rome 48: 23–69.

Ward-Perkins, J. B. (1980). 'The marble trade and its organization: evidence from Nicomedia', in J. H. D’Arms and E. C. Kopff (eds). The seaborne commerce of ancient Rome: studies in archaeology and history (Memoirs of the American Academy in Rome 36). Rome: 325–36.

 

Stone types (selection only):

Attanasio, D. (2003). Ancient white marbles: analysis and identification by paramagnetic resonance spectroscopy (Studia archaeologica ("Erma" di Bretschneider) 122). Rome.

Borghini, G. (1989). Marmi antichi (Materiali della cultura artistica 1). Rome.

Gnoli, R. (1988). Marmora romana. 2nd edition. Rome.

Jackson, M. and Marra, F. (2006). 'Roman stone masonry: volcanic foundations of the ancient city', American Journal of Archaeology 110.3: 403–36.

Lazzarini, L. (ed.) (2004). Pietre e marmi antichi. Natura, caratterizzazione, origine, storia d'uso, diffusione, collezionismo. Padua.

Monna, D. and Pensabene, P. (1977). Marmi dell’Asia Minore. Rome.

Monna, D., Pensabene, P., and Sodini J. O. (1985). 'L'identification des marbres: sa nécessité, ses méthodes, ses limites', in P. Pensabene (ed.). Marmi antichi: problemi d’impiego, di restauro e d’identificazione (Studi miscellanei 26). Rome: 15–34. 

Peacock, D. P. S. (1994). 'Roman stones', Journal of Roman Archaeology 7: 361–3.

Shadmon, A. (1989). Stone: an introduction. London.

 

Polychromy:

Bradley, M. (2009a). Colour and meaning in ancient Rome. Cambridge.

Bradley, M. (2009b). ‘The importance of colour on ancient sculpture’, Art history 32.3: 427–57.

Brinkmann, V, Primavesi, O., and Hollein, M. (eds) (2010). Circumlitio: the polychromy of ancient and medieval sculpture (Schriftenreihe der Liebieghaus Skulpturensammlung, Frankfurt am Main). Munich.

Brinkmann, V., and Scholl, A. (eds) (2011). Bunte Götter: die Farbigkeit antiker Skulptur; eine Ausstellung der Staatlichen Antikensammlungen und Glyptothek München in Zusammenarbeit mit der Ny Carlsberg Glyptotek Kopenhagen und den Vatikanischen Museen, Rom; Glyptothek München, Königsplatz, 16. Dezember 2003 bis 29. Februar 2004. Munich. 

Liverani, P. (ed.) (2004). I colori del bianco: policromia nella scultura antica (Collana di studi e documentazione (De Luca editori d'arte) 1). Rome.

Skovmøller, A. and Therkildsen, R. H. (2011). ‘On the high gloss polish of Roman sculpture’, Tracking colour: the polychromy of Greek and Roman sculpture in the Ny Carlsberg Glyptotek. Preliminary Report 3: 35–46.

Spada, S. (2004). ‘Restauro e ricostruzione della policromia dell’Augusto di Prima Porta’, in P. Liverani (ed.). I colori del bianco: policromia nella scultura antica (Collana di studi e documentazione (De Luca editori d'arte) 1). Rome: 249–52. 

Therkildsen, R. H. (2012). ‘A 2nd century CE colossal marble head of a woman: a case study in Roman sculptural polychromy’, Tracking colour: the polychromy of Greek and Roman sculpture in the Ny Carlsberg Glyptotek. Preliminary report 4: 45–63.

Verri, G., Opper, T., and Deviese, T. (2010). ‘The ‘Treu’ head: a case study in Roman polychromy’, British Museum Technical Research Bulletin 4: 39–53.

Zink, S. (2009). ‘Haec aurea templa: the Palatine Temple of Apollo and its polychromy’, Journal of Roman Archaeology 22: 109–22.

 

Miscellaneous:

Grasby, R. D. (1996). ‘A comparative study of five Latin inscriptions: measurement and making’, Papers of the British School at Rome 64, new series 51: 95–138.

Grasby, R. D. (2002). ‘Latin inscriptions: studies in measurement and making’, Papers of the British School at Rome 70, new series 57: 151–76.

Grasby, R. D. (2009). Processes in the making of Roman inscriptions: introduction to the studies. Oxford.

Hester, T. R. and Heinze, R. E. (1981). Making stone vases: ethnoarchaeological studies at an alabaster workshop in Upper Egypt (Monographic journals of the Near East. Occasional papers on the Near East 1.2). Malibu CA.

Holt, E. G. (1957). A documentary history of art. Volume I: the Middle ages and the Renaissance. New York NY.

Kirby, R. S., Withington, S., Darling, A. B., and Kilgour, F. G. (1990). Engineering in history. 2nd edition. New York NY.

Mannoni, T. (2007). 'The transmission of craft techniques according to the principles of material culture: continuity and rupture', in L. Lavan, E. Zanini and A. Sarantis (eds). Technology in transition, AD 300-650 (Late antique archaeology 4). Leiden; Boston MA: xli–lx.

Mattusch, C. C. (1995). 'Two bronze herms: questions of mass production in antiquity', Art Journal 54.2: 53–9.

Pettinau, B. (1983). 'Prezzi di marmi preziosi e tariffe dei lavori da muratori: 1805', Xenia 6: 87–99. 

Roux, G. (1966). 'Les comptes du IVe siècle et la reconstruction du temple d'Apollon à Delphes', Revue archéologique: 245–96.